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- <text id=91TT0816>
- <title>
- Apr. 15, 1991: Classic Spooks
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Apr. 15, 1991 Saddam's Latest Victims
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 65
- Classic Spooks
- </hdr><body>
- <qt>
- <l>DARK STAR</l>
- <l>By Alan Furst</l>
- <l>Houghton Mifflin; 417 pages; $22.95</l>
- </qt>
- <p> Imagine discovering an unscreened espionage thriller from
- the late 1930s, a classic black-and-white movie that captures
- the murky allegiances and moral ambiguity of Europe on the
- brink of war. All the treasured cinematic touches that convey
- a mood of incipient danger are present--a dead Soviet agent
- in a waterfront brothel in Ostend, lonely footsteps muffled by
- the snow on a dark Berlin street, a worn leather satchel with
- a false bottom left in a Prague railway station. No, they do
- not make movies like that anymore. But in Dark Star, Alan Furst
- has replicated this idealized form, this image of Europe
- entwined in a web of malevolent ideology.
- </p>
- <p> Furst's perfect-pitch re-creation begins with a fatally
- flawed protagonist: Andre Szara, 40, Pravda reporter in Europe
- and occasional Soviet spy, whose life goals have been reduced
- to a desire to outlast Stalin's purges. As the novel opens in
- 1937, Szara, a Russified Polish Jew, is caught in the midst of
- a blood feud in the Soviet secret services between his NKVD
- friends, mostly Jewish intellectuals, and Stalin's Georgian
- thugs. The fear that dominates Szara's nomadic life is palpable:
- a typically chilling passage is about his return to Russia
- aboard a Soviet freighter with a human cargo of condemned men
- who know that homecoming means an executioner's bullet. En
- route, these compromised trade representatives and diplomats
- "rarely slept, greedy for their remaining hours of
- introspection, pacing about the deck when they could stand the
- cold."
- </p>
- <p> Szara's safety net is espionage; he becomes a full-time
- NKVD operative in Paris charged with maintaining ties to an
- imperiled Jewish industrialist in Berlin, who somehow knows how
- many bombers Germany is building each month. Fear not; Dark Star
- never becomes one of those breathless adventures that build fake
- suspense around schemes to stop Hitler. Plot is less important
- than Furst's powerful descriptive writing, particularly his
- account of Szara's nightmare flight across Poland in the first
- days of the war. What carries the book to a level beyond the
- cynicism of spy novels is its ability to carry us back in time.
- Nothing can be like watching Casablanca for the first time. But
- Furst comes closer than anyone has in years.
- </p>
- <p> By Walter Shapiro
- </p>
-
- </body></article>
- </text>
-
-